Practices are very much connected with the discourse of the Third WorldĬinema, and reflect the tension between the dominant power of the New Side-stream film production and distribution channels, the New Order Technologies and changes on the political scene have led to the rise of As she examines new, alternative genres and channels forĭistribution and exhibition, Van Heeren argues that, while new media Order film mediation practices both changed and continued after the fall In the second chapter, she analyses how New New Order values, state politics, and an idealized image of the Promoted and distributed films were expected to propagate and represent (praktik miring) of films determined how or whether films were produced, Pre-censorship, film format, filmįestival policies, and what she calls the 'cursive practices' Imagination-what images and representations of Indonesian reality Order's national and transnational politics of representation and Sketches the extent to which these practices were subject to the New Mediation practices, such as production, distribution, and exhibition,ĭuring and after the New Order period. Organized in three parts (plus an introduction and conclusion),Įach section consists of two chapters. Reality after the fall of the dictator Soeharto. Of Indonesian society to define its collective identity and social Lens of cinematic practices, the author exposes elements of the struggle Legacy of the New Order's film policies and practices interferes Variety of practices in contemporary Indonesian cinema, in which the As its title indicates, Van Heeren's account explores a This book grows out of a dissertation, and is based on extensiveįieldwork, conducted periodically from 2001 to 2005 in several cities in
Katinka van Heeren, Contemporary Indonesian Film: Spirits of ReformĪnd Ghosts from the Past. APA style: Katinka van Heeren, Contemporary Indonesian Film: Spirits of Reform and Ghosts from the Past.Katinka van Heeren, Contemporary Indonesian Film: Spirits of Reform and Ghosts from the Past." Retrieved from
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